While the traditional short story fights to hold the attention of a fast moving world, the popularity of flash fiction is on the rise. Conforming to this restricted format can be a valuable discipline for writers and with an expanding market the potential for monetary reward is significant.
The term 'flash fiction' is loosely applied to many short stories but commonly refers to works of less than 500 words. Although some may disregard this form as a gimmick, there are several reasons why writers should take it seriously. Its brevity is particularly well suited to the Internet where new websites dedicated to the genre are appearing all the time. As services are being developed to download written material on subscription to mobile phones and hand held organisers, for once fiction writers have a realistic chance of placing work. Because word count is necessarily low, payment rates often seem high when calculated on a per word basis. Aside from the financial benefits, writing good quality flash fiction can hone the skills of even the most accomplished writer by forcing them to consider every word.
Creating flash fiction is like concocting a rich sauce. The basic ingredients of character, action and setting are reduced down until only the essence of the story remains. However brief, this story must have a plot - a beginning a middle and an end. Merely writing an anecdote or reflection is not sufficient. Like a short, sharp shock, good flash fiction should pack an emotional punch, leaving it with the reader long after it is finished. Despite the imposed restrictions, a cleverly written work leaves plenty of room for implication, a suggestion of a much bigger story beyond the immediate snapshot.
There are a number of basic techniques which can be applied to the process of creating successful flash fiction.
Hit the Ground Running
To start with a strong opening is a basic rule of short story writing and it certainly applies here. There is no room for preamble so your story needs to begin at the start of the action or, better still, right in the middle of it. Any back story must be implied by the right choice of words. 'As he returned the warm gun to his pocket, he felt for his warrant card.' This sentence immediately implies that we are dealing with a policeman who has possibly just shot somebody.
Allude to the Outside World
A neat way to get back story into your work is to root it in a world already familiar to your audience. You could use historical figures, well known fictional characters or set your story at a famous moment in time. For example, place your lead character on H.M.S. Victory or call him Dr. Jekyll and readers will make inferences based on their own knowledge.
Focus on Your Subject
When looking for ideas, go for the small details. A murder mystery novel has room for an intricate plot with complex characters and motives. A traditional short story might concentrate on the execution of the crime or its impact on the victim's family. For flash fiction, zoom in further still - a murderer trying to remove a bloodstain from his clothes or a relative identifying the body.
Set the Scene
Flash fiction works best when contained within a well defined physical space. Put your characters in the supermarket isle or on top of Everest and straight away the story falls into context.
Make Them Talk
As in all fiction, characters can be defined by what they say. One approach to flash fiction is to use dialogue only. Choose your characters' words carefully and they will tell the story for you with no need for exposition.
Do the Twist
A twist ending is by no means essential but does work well for this type of writing. As much of the plot is inferred, it is relatively easy to mislead the reader into drawing the wrong conclusions. The surprise ending also provides the emotional impact indicative of this format. Another powerful strategy is a slightly ambiguous ending that leaves the reader thinking but not to the extent that they feel cheated.
Rewrite Your Rewrites
The easiest way to start a very short story is to forget about word count and get it written. Only then start paring away all the superfluous words. If you are struggling to keep within word limits, have you tried some of the techniques outlined above? Finally, analyse every word carefully. Once you have deemed a word necessary, consider whether there is an even better word for the job. This editing process is fundamental and once mastered will benefit all areas of your writing.
Practice Makes Perfect
Workshops dedicated to this popular form are now appearing on the Internet. They provide opportunities to practise flash fiction in the company of other writers. Challenges are often set against the clock and critiqued by independent judges or fellow contributors.
Look to the Experts
See how the likes of John Updike, Margaret Atwood and Raymond Carver do it in 'Flash Fiction: Very Short Stories' - Published by W.W. Norton ISBN: 0393308839
Louise Dop is a successful Freelance Writer and Technical Author. With a degree in Physics and a career history in science and technology she writes about popular science, the craft and business of writing and family and health issues. Keeping up with emerging technologies and topical subjects, she enjoys observing and commenting on all aspects of modern life.
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